I had such a good time with my music appreciation classes, last year, I have created another series, beginning this fall. I'm excited to offer nine new classes that cover a lot of musical ground, from the immensity of choral masterworks to the majesty of American music.
You don't have to be a musician to enjoy these musical explorations. Everyone is welcome. My hope is to increase your enjoyment so you can respond with deeper understanding and wonder to this great music.
Here's what a few people had to say about last year's classes:
"This was fabulous! The best time I have had in a long time. Absolutely wonderful."
"Exceptional seminar. A lot of thought and research must have gone into this."
"I'm not sure what I expected, but this was astounding. I loved the music and your commentary -- warm, personal, from the heart -- made these familiar pieces come alive in a way I've never experienced before."
Sept. 24: Musical mavericks: The astonishing madrigals of Renaissance composer (and murderer) Don Carlo Gesualdo, and how Beethoven, Chopin, Debussy, Stravinsky, Gershwin and Steve Reich changed music forever.
Oct. 29: Choral gems that touch the heart: Thrilling masterworks, including Bach's Mass in B Minor, plus astonishing gems from Bulgaria, Estonia and the San Juan Islands.
Nov. 19: Cherished Chamber Music: The beauty of music designed for intimate spaces. My favorite pieces include the profound artistry of Beethoven and Schubert, the demonic power of Brahms and the hushed calm of Arvo Part.
Dec. 3: The Most Memorable Melodies Ever Written: What's in a melody? Just about everything we love about music. A good tune unfurls effortlessly, inevitably and stays with us. But writing memorable melodies requires a rare kind of talent. Mozart and Schubert had the gift in spades. We'll look at timeless classical melodies and explore what makes them so good.
Jan. 21: American majesty: What makes music American? We dive into the richness and beauty of Stephen Foster, John Philip Sousa, George Gershwin, Aaron Copland, Samuel Barber, Terry Riley, John Adams, Edgar Meyer and Portland's own Kenji Bunch.
Feb. 11: David and Goliath: We explore why the great concertos thrill us as no other musical form does, in works by Mozart, Mendelssohn, Brahms, Ravel, Rachmaninoff, Bartok and Adams.
March 25: Do orchestras need conductors? Deconstructing the mysteries of the podium, with examples from Beecham, Toscanini, Furtwangler, Karajan, Kleiber, Celibidache, Bernstein and Dudamel.
April 29: Legendary singers: We admire the singers who made history: Caruso, Corelli, Callas, Caballe, Price, Nilsson, Sutherland, Pavarotti, Lieberson, Bartoli and others.
May 20: Folk-inspired music: Many composers, from Chopin and Brahms to Bartok, Astor Piazzolla and Osvaldo Golijov, found inspiration in folk music, transforming their work while keeping it grounded in the classical tradition.
Class details:Cost per session: $20, payable at the door. Classes take place in the recital hall at Classic Pianos, 3003 S.E. Milwaukie Ave. in southeast Portland, next to the Aladdin Theater at the corner of Milwaukie and Powell Blvd.
Parking: You may park in the store's parking lot on the corner of Powell Blvd. and 11th Ave., behind the store. You may also park in the Brooklyn Pharmacy parking lot, but avoid the spaces that say, “Brooklyn Pharmacy Only.” Additionally, you may park on 11th Ave., the one-way street directly behind the store, accessed from Powell Blvd. And you can find ample neighborhood parking on Franklin, as well as 10th Ave.
To register, contact Peggie Zackery at Classic Pianos: 503-546-5622; email@example.com